
Do You have Personality ?
The Web is like high school. You
want to be popular? You've got to have personality.
What if you're not the type? No
need to worry. On the Internet, you can market yourself and your
business without anyone knowing you're sweating bullets or shaking
in your boots.
The written word is a great fooler.
Right now it's working to make me seem like someone who gladly
jumps up to address a room full of strangers and loves breaking
the ice with people he doesn't know. Guess again.
Three Pros
There are a number of Internet personalities who come across as
Mr. Or Ms. Congeniality through the written word. Let's look at
how three of them do it.
All three are well-known, respected
Internet marketers - Declan Dunn (writething.com), Nick Usborne (forkinthehead.com),
and Seth Godin (author of "Permission Marketing").
When you read them, they all sound
friendly, unguarded, relaxed. Here are some of the things they do
to achieve this:
* Use contractions frequently (don't, didn't, I've)
* Use conversational phrases (expressions more often heard in
speech than seen in print)
* Use commonly understood slang terms
* Start sentences now and then with a conjunction (And, But, So)
* Refer often to "you," "I" and "we"
They steer clear of jargon (even
sales jargon), because it may be unfamiliar to some of us. They
also avoid sounding trendy or "wired," because not all
of us are hip to the same things.
More important, they can make
writing sound like talking. And they accomplish this by:
* using wide variation in sentence lengths (from 1 word up to
30-40 words)
* using occasional sentence fragments
* getting sentences off to a fast start by typically starting with
the main subject and verb
* maintaining a strong energy level, by using action verbs (rather
than "is," "are," "was,"
"were," "be," "been")
* using mostly short words and short sentences, which score well
on readability tests (Dunn's average sentence length is 16 words;
Usborne's is 12; Godin's is only 7)
The 3-D Effect
That's all there is to it? Not exactly. These guys have also found
a voice that makes each of them seem individual and three-dimensional.
Dunn, for instance, likes to
modulate his tone. "What's tone?" you ask. In a word,
attitude. Dunn can "lighten up," "get
serious," or shift gears in any number of ways. He uses tone
to reveal a range of feelings, from self-disclosure ("I'm
scared to write this article") to laugh-out-loud jokes told
at his own expense.
Usborne has a quiet, wry sense of
humor. He's smart without being a smart aleck (few Web writers get
this distinction). His opinions are important without sounding
self-important (same deal). He wins one's confidence easily, and
his secret seems to be that he respects the intelligence of his
readers.
Godin draws freely from several
decades of popular American culture to illustrate his points. When
he gives examples, they're ones most of his readers are likely to
know: Seinfeld, the Super Bowl, the movie "Titanic."
He refers to People Magazine, Coke,
fast food, and a typical American boyhood: growing up in the
suburbs of a big city, watching TV after school, liking "The
Munsters," and listening to Bob Dylan. In the accumulation of
detail, he's like a Spielberg movie.
Conclusion
What's the lesson to be learned from all this? Well, these writers
succeed because they've mastered many ways of putting us at ease.
They gain credibility without using
the manipulative, button-pushing language of by-the-book
marketers, who often come across as predictable, flat, cardboard
characters. Instead, what they write and the way they write reveal
a range of human experience and a rich emotional life.
That's what we look for in real
people. It works the same way on the Web.
Yes, you too can be popular. Start
with a few rules of thumb to make what you say sound
conversational (see above). And risk being the human that you are.
Article by Ron
Scheer
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